Şarkıcı: Stray Kids
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Parça: INTRO Lose My Breath
Stray Kids - INTRO Lose My Breath Altyazı (vtt) (23:53-1433-0-en) (ÖN İZLEME)
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....... FUL LİRİK & ALTYAZI İÇİN AŞAĞIDAKİ DÜĞMELERİ KULLANINI .......
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WEBVTT
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You might be really surprised
00:00:01.656 --> 00:00:03.515
As soon as I heard it,
I knew it was a hit
00:00:03.537 --> 00:00:07.825
We definitely needed a song like this
00:00:07.875 --> 00:00:10.066
I'm quite excited about it
00:00:19.968 --> 00:00:23.350
We haven't talked much
about song camps
00:00:23.400 --> 00:00:27.033
3RACHA went to the Global
Citizen event
00:00:27.033 --> 00:00:28.918
and had the incredible honor
00:00:28.968 --> 00:00:32.434
to work with Charlie
Puth at a song camp
00:00:32.601 --> 00:00:34.284
We used to do song camps often
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but it was a long time
since the last one
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This time, we went to the US
00:00:38.667 --> 00:00:43.417
and had the great opportunity
to work with Charlie Puth
00:00:43.467 --> 00:00:48.484
Being the most fluent in English
among us in 3RACHA
00:00:48.534 --> 00:00:50.517
I tend to immediately discuss
00:00:50.567 --> 00:00:52.651
both my ideas and the others' ideas
00:00:52.701 --> 00:00:54.234
I also relay these ideas to
the members separately
00:00:55.167 --> 00:00:59.234
and fine-tune them as we go along
00:00:59.801 --> 00:01:04.567
I feel like I've learned so much from
attending Charlie Puth's song camp
00:01:05.033 --> 00:01:08.284
I've always enjoyed Charlie
Puth's music
00:01:08.334 --> 00:01:09.818
It was an honor to work with him
00:01:09.868 --> 00:01:11.801
given how much I admire his work
00:01:11.801 --> 00:01:15.617
Charlie is often seen as a genius
00:01:15.667 --> 00:01:18.784
and when you work with him, you realize
he truly is that and more
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Honestly, I put
00:01:20.500 --> 00:01:21.617
a lot of effort into my work
00:01:21.667 --> 00:01:23.284
When it comes to music
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I tend to be very meticulous
00:01:26.567 --> 00:01:29.701
and put a lot of effort
into making music
00:01:30.234 --> 00:01:32.517
but he looked like he was playing
00:01:32.567 --> 00:01:34.117
He managed to do everything
effortlessly
00:01:34.167 --> 00:01:35.150
and it was really surprising
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"Wow, this person is something else"
00:01:37.868 --> 00:01:39.734
I learned a lot from that
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and it inspired me to try
00:01:43.267 --> 00:01:45.467
and implement some of that
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in my work as well
00:01:46.667 --> 00:01:48.584
I don't know, it was
just so fascinating
00:01:48.634 --> 00:01:51.050
The way he worked was very intriguing
00:01:51.100 --> 00:01:53.634
especially how effortlessly the
top lines just flowed out
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as soon as he grabbed the microphone.
00:01:56.634 --> 00:01:58.217
It was truly amazing to witness
00:01:58.267 --> 00:02:03.167
and it made me think, "I need
to work even harder"
00:02:05.667 --> 00:02:07.551
The song itself
00:02:07.601 --> 00:02:13.100
has an old-school feel, but
also a strong R＆B vibe
00:02:13.100 --> 00:02:18.150
Stray Kids has never tried
this genre before
00:02:18.200 --> 00:02:20.784
and we've never done a song with
this kind of emotional tone
00:02:20.834 --> 00:02:23.517
so adapting to that...
00:02:23.567 --> 00:02:25.617
I mean, the song is great, the
track turned out really well
00:02:25.667 --> 00:02:29.017
and the members did an excellent
job recording it
00:02:29.067 --> 00:02:30.983
But when I listened to it myself
00:02:31.033 --> 00:02:33.217
since we had never tried this style
00:02:33.267 --> 00:02:35.884
it felt a bit awkward
00:02:35.934 --> 00:02:37.450
Even recently
00:02:37.500 --> 00:02:38.417
while not often
00:02:38.467 --> 00:02:39.517
because I've listened to it so much
00:02:39.567 --> 00:02:40.701
but sometimes, when I listen
00:02:41.200 --> 00:02:44.450
it makes me realize that our members
can really pull off this style too
00:02:44.500 --> 00:02:46.651
There's a part in the song where
I sing "Ah I lose my breath"
00:02:46.701 --> 00:02:47.950
and during "breath"
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I sing with a shaky
00:02:49.634 --> 00:02:53.417
out of breath kind of feel
00:02:53.467 --> 00:03:01.167
That line captures everything
about the song
00:03:01.167 --> 00:03:03.934
and in my opinion, is truly
the ultimate highlight
00:03:04.500 --> 00:03:06.450
When I listen to the track
00:03:06.500 --> 00:03:09.818
there's this back-and-forth, almost
like a tug-of-war feeling
00:03:09.868 --> 00:03:12.584
There was also an overwhelming feeling
00:03:12.634 --> 00:03:15.601
that led us to the theme
"Lose My Breath"
00:03:16.167 --> 00:03:20.651
Because of that other person, "I'm
truly so out of breath..."
00:03:20.701 --> 00:03:21.284
"it's suffocating"
00:03:21.334 --> 00:03:24.918
That's the kind of theme we went with
00:03:24.968 --> 00:03:26.983
It seems like a deeper love song
00:03:27.033 --> 00:03:29.934
Perhaps a more mature kind of love
00:03:30.734 --> 00:03:32.417
I mean, I don't know love
00:03:32.467 --> 00:03:33.184
I don't know
00:03:33.234 --> 00:03:35.784
"Even if I have to hold my breath,
I want to meet you"
00:03:35.834 --> 00:03:36.484
"I love you"
00:03:36.534 --> 00:03:37.450
It's that kind of feeling
00:03:37.500 --> 00:03:39.234
"Even if it means abandoning myself"
00:03:39.868 --> 00:03:41.184
"I want to have you"
00:03:41.234 --> 00:03:42.551
"I want to win your love"
00:03:42.601 --> 00:03:44.918
It's that type of song
00:03:44.968 --> 00:03:47.417
(When listening to the lyrics)
With "I lose my breath
when you're walking in"
00:03:47.467 --> 00:03:49.584
there's a tension
00:03:49.634 --> 00:03:52.117
a feeling of the heart fluttering
00:03:52.167 --> 00:03:55.184
and it's hard to focus
00:03:55.234 --> 00:03:57.667
It feels completely different
00:03:57.667 --> 00:03:59.350
The lyrics are all in English
00:03:59.400 --> 00:04:04.284
and although it's easy to listen to
00:04:04.334 --> 00:04:07.417
the song incorporates many interesting
compositional elements
00:04:07.467 --> 00:04:12.434
and voice tones that none of us
00:04:12.434 --> 00:04:14.167
have ever used before
00:04:14.400 --> 00:04:16.868
I think "Lose My Breath"
00:04:16.868 --> 00:04:21.067
might really showcase a new
side of our vocal styles
00:04:23.801 --> 00:04:25.751
When I first heard the song, I thought
00:04:25.801 --> 00:04:27.350
"this is going to be fun"
00:04:27.400 --> 00:04:29.050
and that "we could show something
new with this"
00:04:29.100 --> 00:04:31.884
The song itself feels somehow moist
00:04:31.934 --> 00:04:33.601
In my opinion
00:04:34.067 --> 00:04:38.334
this song has old JYP-style elements
00:04:38.334 --> 00:04:39.834
At least, from listening to the track
00:04:39.934 --> 00:04:42.250
"Can I actually pull this off?"
00:04:42.300 --> 00:04:43.851
I thought that at first
00:04:43.901 --> 00:04:46.851
But the more I listened, the
more natural it felt
00:04:46.901 --> 00:04:51.684
and I could even imagine how well
certain members would fit
00:04:51.734 --> 00:04:53.434
particular parts
00:04:54.067 --> 00:04:56.517
Immediately, I felt a huge
sense of responsibility
00:04:56.567 --> 00:04:57.367
because
00:04:57.367 --> 00:04:59.050
the voice in the demo
00:04:59.100 --> 00:05:00.983
was none other than Charlie Puth
00:05:01.033 --> 00:05:03.884
A voice I've grown up listening to
00:05:03.934 --> 00:05:05.617
It was surreal and gratifying
00:05:05.667 --> 00:05:08.467
to hear his voice in our demo
00:05:08.467 --> 00:05:10.184
and in the end
00:05:10.234 --> 00:05:14.517
"now's the time I really
need to step up"
00:05:14.567 --> 00:05:16.617
I thought that a lot
00:05:16.667 --> 00:05:20.017
My first thought was,
"can I handle this?"
00:05:20.067 --> 00:05:22.217
"This is going to be
quite challenging"
00:05:22.267 --> 00:05:27.350
It felt fresh because it was
very different from our
usual style of music
00:05:27.400 --> 00:05:29.083
I was really worried
00:05:29.133 --> 00:05:31.684
but ultimately, showing these sides
00:05:31.734 --> 00:05:32.767
could make it
00:05:33.100 --> 00:05:35.350
more unique for STAY as well
00:05:35.400 --> 00:05:38.617
The song itself is so melodically nice
00:05:38.667 --> 00:05:41.851
that I think it could be widely loved
00:05:41.901 --> 00:05:45.901
if the choreography turns out well too
00:05:48.400 --> 00:05:49.601
The content is really great too
00:05:49.601 --> 00:05:51.551
The Little Mermaid
00:05:51.601 --> 00:05:53.000
Our concept was
00:05:54.000 --> 00:05:55.584
"The Little Mermaid"
00:05:55.634 --> 00:05:59.784
It has a mermaid story unique to SKZ
00:05:59.834 --> 00:06:02.017
The love could be so strong
00:06:02.067 --> 00:06:05.950
that it makes someone escape
00:06:06.000 --> 00:06:08.050
from the water
00:06:08.100 --> 00:06:09.634
We incorporated some fun stories
00:06:10.934 --> 00:06:13.250
about longing into this project
00:06:13.300 --> 00:06:15.217
We don't really mix with "water"
00:06:15.267 --> 00:06:16.901
It was always "fire" for us
00:06:17.834 --> 00:06:20.350
We were minimalistic this time
and tried a lot of new things
00:06:20.400 --> 00:06:23.050
like dancing on water
00:06:23.100 --> 00:06:25.334
or dipping our faces in water
00:06:25.667 --> 00:06:28.717
I mean, dancing on water
00:06:28.767 --> 00:06:32.684
might sound common
00:06:32.734 --> 00:06:39.517
but the setting was beautifully set up
00:06:39.567 --> 00:06:41.117
that I think it'll turn out well
00:06:41.167 --> 00:06:45.317
The splashing added a nice touch too
00:06:45.367 --> 00:06:48.450
so I believe everything will fit well
00:06:48.500 --> 00:06:50.133
I fell over at that part
00:06:50.901 --> 00:06:52.701
I fell over, oh my...
00:06:54.033 --> 00:06:55.067
Anyway, despite falling
00:06:55.500 --> 00:06:57.517
the overall look
00:06:57.567 --> 00:07:00.884
was so coherent and I loved it
00:07:00.934 --> 00:07:03.334
Because it was in water
00:07:03.334 --> 00:07:06.050
I wasn't hurt or scarred or anything
00:07:06.100 --> 00:07:08.784
and I've practiced falling safely
00:07:08.834 --> 00:07:12.017
since I was young, so I was okay
00:07:12.067 --> 00:07:14.117
We had a submerged set
00:07:14.167 --> 00:07:15.450
where we danced
00:07:15.500 --> 00:07:20.450
with the water almost up to our knees
00:07:20.500 --> 00:07:23.384
While the group dance was a key point
00:07:23.434 --> 00:07:25.717
we had a lot of cinematic scenes
00:07:25.767 --> 00:07:29.751
tailored to individual
performances too
00:07:29.801 --> 00:07:34.133
I also drove for the first
time on camera
00:07:36.033 --> 00:07:39.651
I was supposed to keep a serious
face while driving
00:07:39.701 --> 00:07:42.467
but it was so much fun that
I couldn't help but laugh
00:07:43.634 --> 00:07:47.784
One scene with Felix
and me in the rain
00:07:47.834 --> 00:07:49.983
looked really awesome for me
00:07:50.033 --> 00:07:51.300
I thought I looked great
00:07:54.434 --> 00:07:57.384
I think you'll be quite surprised
00:07:57.434 --> 00:07:59.217
when you see our performance
00:07:59.267 --> 00:08:01.684
Previously, we've
00:08:01.734 --> 00:08:06.384
really emphasized power, but this time
00:08:06.434 --> 00:08:07.834
we've toned it down significantly
00:08:07.834 --> 00:08:10.651
While it is a group dance
00:08:10.701 --> 00:08:14.983
it has a lot of rhythmic elements
00:08:15.033 --> 00:08:16.918
so I liked that
00:08:16.968 --> 00:08:20.250
I love the choreography for the hook
00:08:20.300 --> 00:08:25.267
It was the part I liked most when I
saw the choreography submission
00:08:25.767 --> 00:08:29.017
We haven't had a lot of choreographies
00:08:29.067 --> 00:08:31.384
where we stop and hold
certain movements
00:08:31.434 --> 00:08:33.818
so I think our fans will love it too
00:08:33.868 --> 00:08:36.450
I had my concerns
00:08:36.500 --> 00:08:39.751
because if the dance is too hard, it
wouldn't blend well with the song
00:08:39.801 --> 00:08:42.184
but going with a formation-
based approach
00:08:42.234 --> 00:08:44.317
didn't seem right either
00:08:44.367 --> 00:08:47.217
Looking at the performance as a whole
00:08:47.267 --> 00:08:50.983
it's essentially a loop of gentle
and forceful moments
00:08:51.033 --> 00:08:52.417
And then it ends on a strong note
00:08:52.467 --> 00:08:55.584
We wanted to give that diversity
00:08:55.634 --> 00:08:57.450
and since we got submissions from
many different choreographers
00:08:57.500 --> 00:08:59.651
I took all of them
00:08:59.701 --> 00:09:01.050
and reviewed each one
00:09:01.100 --> 00:09:05.450
and decided which parts
to use from which
00:09:05.500 --> 00:09:08.651
The members would express
their opinions
00:09:08.701 --> 00:09:12.584
and that's how we created
the performance
00:09:12.634 --> 00:09:13.851
The choreography
00:09:13.901 --> 00:09:15.584
has subtle points
00:09:15.634 --> 00:09:18.450
that are both natural
00:09:18.500 --> 00:09:19.983
and smooth
00:09:20.033 --> 00:09:23.150
I guess we could call them safe
00:09:23.200 --> 00:09:28.651
By highlighting these points
00:09:28.701 --> 00:09:33.734
we thought the viewers would see
the deeper parts of our message
00:09:33.934 --> 00:09:35.734
We've incorporated medium-tempo moves
00:09:40.567 --> 00:09:42.017
moves
00:09:42.067 --> 00:09:45.684
that we usually wouldn't do
00:09:45.734 --> 00:09:46.500
and
00:09:47.100 --> 00:09:48.417
I think that
00:09:48.467 --> 00:09:50.684
adds an exciting thrill
00:09:50.734 --> 00:09:52.934
to the performance
00:10:09.734 --> 00:10:13.017
Capturing the essence
00:10:13.067 --> 00:10:14.517
of movements such as
00:10:14.567 --> 00:10:17.017
"tick, tick, press, snap!"
was challenging
00:10:17.067 --> 00:10:21.884
So we would split in half and
watch each other dance
00:10:21.934 --> 00:10:23.784
For example, there's a move
in the last chorus
00:10:23.834 --> 00:10:26.184
where you sharply hit
00:10:26.234 --> 00:10:29.083
your shoulders twice
00:10:29.133 --> 00:10:31.517
We aimed to make this movement
00:10:31.567 --> 00:10:33.617
elastic to match the beat
00:10:33.667 --> 00:10:35.384
and although it looks simple
00:10:35.434 --> 00:10:37.751
it's quite tricky to synchronize
00:10:37.801 --> 00:10:40.784
Some use their upper bodies
to go this way
00:10:40.834 --> 00:10:44.950
others use isolation
00:10:45.000 --> 00:10:47.284
and because there are
so many variations
00:10:47.334 --> 00:10:50.317
it took us a significant amount
of time to get it right
00:10:50.367 --> 00:10:53.083
The members found that a bit hard
00:10:53.133 --> 00:10:55.751
but because it was another challenge
00:10:55.801 --> 00:10:57.717
we overcame it while having fun
00:10:57.767 --> 00:10:59.667
We've been practicing hard
00:11:14.000 --> 00:11:15.884
If we upload a dance challenge
00:11:15.934 --> 00:11:18.484
the hand movements
00:11:18.534 --> 00:11:20.417
especially the hands
00:11:20.467 --> 00:11:22.950
and feet
00:11:23.000 --> 00:11:25.450
should be parts to look out for
00:11:25.500 --> 00:11:26.918
as well as facial expressions
00:11:26.968 --> 00:11:29.484
It's always the facial expression,
00:11:29.534 --> 00:11:32.983
the hand gestures, and the feet
00:11:33.033 --> 00:11:38.467
that really explain, express
this song's color
00:11:38.801 --> 00:11:39.868
For the beat
00:11:41.400 --> 00:11:44.033
use the entire beat and hit briefly
00:11:47.334 --> 00:11:50.651
We've really changed up
00:11:50.701 --> 00:11:54.818
the members' singing techniques
00:11:54.868 --> 00:11:57.033
and the direction of our recordings
00:11:57.033 --> 00:12:02.083
The theme revolves around breathing
00:12:02.133 --> 00:12:04.083
so we went JYP style,
half air, half sound
00:12:04.133 --> 00:12:09.284
but with air at around 70 or 80 instead
of the usual 50:50 ratio
00:12:09.334 --> 00:12:10.934
In the beginning
00:12:12.067 --> 00:12:14.617
where the instruments drop out and
the track gets a bit quieter
00:12:14.667 --> 00:12:18.784
we blend in air to create a
key mood-setting moment
00:12:18.834 --> 00:12:21.818
Then, as the music builds to a climax
00:12:21.868 --> 00:12:25.400
Lee Know sings on a strong note
00:12:25.400 --> 00:12:29.083
In our Stray Kids songs, whenever
we hit high notes
00:12:29.133 --> 00:12:33.250
or when we sing, we sing
in a piercing style
00:12:33.300 --> 00:12:36.450
If we sang high notes like
that in this song
00:12:36.500 --> 00:12:40.350
it would break a lot of the emotion
00:12:40.400 --> 00:12:42.050
We have to sing very delicately
00:12:42.100 --> 00:12:44.784
and open up a lot of space within here
00:12:44.834 --> 00:12:48.250
so that it sounds not angular
00:12:48.300 --> 00:12:50.434
but more round, and filled
00:12:50.434 --> 00:12:54.751
Feel, intonation, everything's
like that
00:12:54.801 --> 00:12:57.918
but we focused on vocalization
the most
00:12:57.968 --> 00:13:01.851
and having to sing each and every word
00:13:01.901 --> 00:13:06.100
adjusting like that was
the hardest part
00:13:09.567 --> 00:13:10.784
- Okay, let's go
00:13:10.834 --> 00:13:11.567
Okay
00:13:16.667 --> 00:13:18.067
Not bad?
00:13:24.601 --> 00:13:25.367
Okay, very good
00:13:26.434 --> 00:13:28.067
Sing as if you're out of breath
00:13:32.033 --> 00:13:33.968
The last two lines were half-falsetto!
00:13:34.601 --> 00:13:35.050
That was good
00:13:35.100 --> 00:13:36.117
It felt different, though
00:13:36.167 --> 00:13:36.767
Yeah, this feeling...
00:13:36.767 --> 00:13:38.567
You could do more, I think
00:13:47.767 --> 00:13:52.851
I was most surprised by
Seungmin and Changbin
00:13:52.901 --> 00:13:53.950
Seungmin
00:13:54.000 --> 00:13:58.250
brought the song to life much better
than I thought he would
00:13:58.300 --> 00:14:00.117
I feel like he's improved
00:14:00.167 --> 00:14:06.050
so much it's almost unrealistic
00:14:06.100 --> 00:14:09.417
Sometimes when I'm bored
and he's humming
00:14:09.467 --> 00:14:12.450
practicing or he just released a cover
00:14:12.500 --> 00:14:17.684
I think, "he's improved a lot
and he's still improving"
00:14:17.734 --> 00:14:19.983
and I think, "he recorded this song"
00:14:20.033 --> 00:14:26.083
"with a really strong leading
voice, and he did well"
00:14:26.133 --> 00:14:27.184
The image of Changbin
00:14:27.234 --> 00:14:29.818
as a rapper is very strong, right?
00:14:29.868 --> 00:14:32.950
But in this song, he also sings
00:14:33.000 --> 00:14:36.250
When he sings, he has
a very sharp voice
00:14:36.300 --> 00:14:40.851
which suits R＆B or old hip hop songs
00:14:40.901 --> 00:14:44.983
but even in this kind of song
00:14:45.033 --> 00:14:47.284
I was surprised by how well his style
00:14:47.334 --> 00:14:51.317
could shine through and
how well he sang
00:14:51.367 --> 00:14:52.918
Let's start with "'Cause" first
00:14:52.968 --> 00:14:53.400
Yes
00:14:58.834 --> 00:15:00.317
I think this is okay
00:15:00.367 --> 00:15:01.818
I think maybe just a little bit more
00:15:01.868 --> 00:15:03.200
Okay, I'll try that
00:15:08.534 --> 00:15:09.851
Yeah, this level of "stops" is good
00:15:09.901 --> 00:15:11.484
In terms of vocals, the members
00:15:11.534 --> 00:15:14.551
work really hard and are really good
00:15:14.601 --> 00:15:15.983
so I'm not very ambitious
in that sense
00:15:16.033 --> 00:15:17.217
I'm not ambitious like that
00:15:17.267 --> 00:15:18.818
but if given the opportunity
00:15:18.868 --> 00:15:20.968
I don't want to hear people say
00:15:21.267 --> 00:15:22.601
"Oh, he's a rapper, so..."
00:15:23.701 --> 00:15:24.851
or "his vocals are just okay"
00:15:24.901 --> 00:15:28.184
I do not want to hear that
00:15:28.234 --> 00:15:31.017
I want to hear "he's a rapper,
but he can sing too!"
00:15:31.067 --> 00:15:33.184
If you pay close attention
00:15:33.234 --> 00:15:37.017
to the emotion I put into each word
00:15:37.067 --> 00:15:40.017
you'll know "this guy worked hard"
00:15:40.067 --> 00:15:42.551
"he really put his effort into this"
00:15:42.601 --> 00:15:43.950
I think you'll be able to feel that
00:15:44.000 --> 00:15:45.934
Thank you for catching those details
00:15:46.801 --> 00:15:48.934
and listening attentively
00:15:49.334 --> 00:15:50.400
It's singing
00:15:50.400 --> 00:15:52.450
I kept thinking, "will I do well?"
00:15:52.500 --> 00:15:56.851
I don't have a lot of
experience singing
00:15:56.901 --> 00:16:00.918
but I thought a lot about how to show
00:16:00.968 --> 00:16:02.651
my unique sides and skills
00:16:02.701 --> 00:16:05.801
"Do I have to sing in a husky voice?"
00:16:05.801 --> 00:16:09.918
I mostly sing with a low register, and
also sing brightly in other times
00:16:09.968 --> 00:16:12.784
so I thought a lot about how
00:16:12.834 --> 00:16:14.767
I could find that midpoint
00:16:14.767 --> 00:16:17.584
While I sang, I felt
00:16:17.634 --> 00:16:22.400
"ah, this is my exact color!"
00:16:22.400 --> 00:16:25.167
That hit me for the first
time in a while
00:16:25.334 --> 00:16:26.734
It was really difficult
00:16:27.901 --> 00:16:28.851
to sing this song
00:16:28.901 --> 00:16:31.717
I had to sing in an unfamiliar tone
00:16:31.767 --> 00:16:34.983
the middle of falsetto and chest voice
00:16:35.033 --> 00:16:38.050
and it was hard to vocalize like that
00:16:38.100 --> 00:16:42.617
So, recording was quite challenging
00:16:42.667 --> 00:16:46.117
but thanks to 3RACHA's direction,
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....... FUL LİRİK & ALTYAZI İÇİN AŞAĞIDAKİ DÜĞMELERİ KULLANINI .......
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