Rammstein - Auslander (altyazı ve şarkı sözleri)
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Rammstein - Auslander (en) şarkı sözleri
We’re in the heart of South Africa
and we’re playing at being
the guys from Europe arriving
in Africa.
Euro trash meets metal:
I think that’s something we only
previously saw in “Pussy.”
In my opinion, that’s what made the
song so incredibly special
and a great summer hit.
But the song’s lyrics are
also very controversial –
very sharp and edgy,
leaving lots of room for me
to exercise my creativity
and come up with something
really off the hook.
The song “Ausländer” (Foreigner)
inspired me
to put Rammstein in an inflatable
rubber boat, wearing life jackets,
rowing across the sea
because that is something you definitely
don’t do, normally.
But that’s exactly why I wanted
to do it, because that’s
who Rammstein are for me.
You confront society with
its own images – bang!
The only way to deal with racism is
to take a satirical approach.
That’s exactly what I wanted
to do with “Ausländer.”
Even if the song comes across
as a happy vacation song.
Making videos is a lot of fun,
but what we’re actually doing is covering
a bit of an old story.
It’s the story of how Whites first
came to Africa and how they
were being received.
The song is actually really funny.
I hope it comes across
as an ironic story.
Some of the African costumes were totally
authentic and decorated with
real bones, real shells, etc.
That’s also true for the clothes we brought
from Germany for Rammstein.
We got them at costume supply
shops in Berlin – just
real historical stuff.
Flake wears a silk linen suit
that cost a fortune.
Some of the safari suits still
had labels in them saying “German
South West Africa.”
Those were real clothes from
the ’20s and ’30s.
Some of the pieces needed to be altered,
but they were GENUINE!
Then there’s the little side story
with Richard and Flake.
I got the idea because Flake
is usually the one
who gets chased across the stage
with a flame thrower,
as he does on this current tour.
But in this scene
it’s a Russian Kalashnikov
– an allusion to his East German
background, so to speak.
I could’ve taken any weapon but I found
a Kalashnikov. It’s very loud
and produces so much gunfire
that it totally stirs up the dust
– regardless of whether
it’s loaded with real bullets or not.
It was definitely a fun ride.
We wanted to have a good
time shooting the video,
since it’s a fun song.
But some of the fun ends up getting
stuck in your throat
– because of the barbaric way we’ve
behaved over the centuries.
I felt pretty uncomfortable
to an African crew in Africa
what it was that we were
wanting to do.
I was overstepping so many boundaries
with that video
and in a way that’s no longer socially
acceptable these days.
White men just aren’t carried
through the jungle on sedan
chairs any more.
Well, that’s how I was being carried.
It definitely doesn’t get me off.
It makes me sick.
We didn’t know how far we
should go with this.
I knew that this was about the
White Man arriving in Africa
and acting like a total jackass
because he thinks that’s
the way to do it.
The white man teaches
the little black kids his language.
He does so in a missionary
outfit that implies
he’s also teaching them religion.
And that is …
absolutely … (laughs). Then
he has a little girl
on his lap which,
of course, refers to Catholicism and
all the things that go down there.
This stuff clearly isn’t okay!
Till is a really good painter.
You’ll see soon enough.
He rocks at it!
The women and children are played
by regular people.
We dressed them up to look like
a traditional tribe.
You could pick them up
and carry them off.
It was just cardboard,
but made to look authentic. We brought
in a goat and some dust
and used gas to make a fire.
You could turn the flame up or down.
When someone says “thanks, ”
the flame goes back to low.
What’s artful about it is that
it actually looks real.
When you hear the words
“Du kommen mit, ich Dir machen gut
(Come with me, I do you good),”
the band members get paired
up with a woman
and disappear one after another as couples.
Each man takes one women.
Why are we even here at all?
To score, of course!
I really wanted to do something
for the different cultures.
I definitely wanted to show that
all of this – that we’re all pretty
much set in our ways
as far as labeling goes and
in terms of the way
we want people to perceive us
– the notion that you and
I are totally different,
and all that bullshit.
That was my goal. I wanted to
break with stuff like that.
That was very important to me.
Lütfen PATREON'da beni destekleyin! Teşekkürler!