SORU: aşağıdaki parçaya göre cevaplayınız
It is clear from the passage that, in his paintings, Cézanne ----.
Artist Paul Cézanne wanted to make paint “bleed”.
The old masters, he said, painted warmblooded flesh
and made the trees look warm and alive, and he
would too. He wanted to capture “the green odour” of
his Provence fields and “the perfume of marble from
Saint-Victoire”, the mountain that was the subject of
so many of his paintings. He was bold, spreading and
slapping paint onto his still-lifes with a palette knife. “I
will astonish Paris with an apple”, he boasted. In the
years when his friends Manet, Monet, Pissarro and
Renoir were finally gaining acceptance, Cézanne
worked furiously and mostly in isolation, ridiculed by
critics and mocked by the public, sometimes tearing
up his own canvases. He wanted more than the quick
impressions of the Impressionists, and devoted
himself to studying the natural world. He called
himself a “slave to nature”, but he knew that he could
never completely capture the natural landscape on
canvas.